
Rosetta, London ©Tauseef Mehrali 2010
My grandfather used to counsel my mother’s worries about my insatiable carnivorous tendencies as a child by suggesting that the only solution would be to ensure I gain a butcher as a father-in-law. I would frequently be teased at dinner parties when it looked like I was struggling to make it to dessert with mock incentives such as the profiteroles actually being meatballs. My meat eating was so ingrained by my teens that an aunt felt compelled to proclaim that I should stop making my stomach a graveyard for dead animals.Read the whole post here.
So, like, what's happened over here over the last century then?
"Lady, excuse me! Are you perfect? Then you need this perfect bag!"I can't overcome the belief in the inevitability of being ripped off in such venues. This delusion is not aided by the fact that the Istanbulites seem to have agreed amongst themselves that Mrs Africanus and I are wealthy Arab visitors who can't wait to be parted from our dirhams. Our mission to eventually pass off as fully fledged Istanbulites though has come one step closer as we are now proud possessors of an Akbil, the oyster card equivalent.
And still in London, general practitioner registrar Tauseef Mehrali watches a film depicting brutal social realism as part of a training session on child protection: "We were challenged to investigate our own triggers for initiating child safeguarding proceedings and to confront subconsciously held stereotypes: is the failing of a parent to conform to our own usually middle class social norms a justifiable trigger? Perhaps more importantly, is conforming sufficient reason to overlook? ... The UK is the worst developed nation in which to be a child, according to both UNICEF and the Good Childhood Inquiry. General practitioners are at the forefront and therefore perfectly placed to guide a redressing of the balance. Encouraging trainees to discuss these issues in novel ways can only help this process."Read the blog entry here.
My practice recently revamped its provision of short-notice medical appointments by transforming the Emergency Surgery into the (so far so good) Rapid Access Surgery. In essence, patients can now no longer pitch up to the practice between 11 am and 12 noon and definitely see a doctor regardless of their complaint, or lack thereof. This apparent erosion of choice has in fact seen the replacement of the dichotomous old system, which offered only routine and emergency appointments, for a myriad of appointment options: 24-hour access, 48-hour access, minor ailments being addressed by the nursing team and routine appointments. There are now more ways to see the doctor than means by which senior bankers can avoid saying sorry.Read more here.
A Brief Break in Beirut
We stood out like the proverbial sore thumb. In reality, it was a sore foot and some luminous yellow crutches that made us stand out. A few days previously, across the border in the Syrian capital, my wife had re-enacted her own Damascene moment at the Eastern Gate of the Old City. Rather than a blinding light catalysing a religious revolution, her episode involved a stack of paving slabs and a third metatarsal, necessitating a visit to the nearby French missionary hospital. So it was with a limb wrapped in plaster of Paris and copious pain-killers that we crossed the border, one April evening, into Lebanon in the back of a weathered Chevrolet with an equally weathered taxi-driver at the wheel.
We were advised to give a wide berth to Lebanon let alone the volatile southern suburbs of Beirut. Since the assassination of former Prime Minister Rafik Hariri on Valentine’s Day in 2005, Lebanon has experienced a string of assassinations, rising political and sectarian tensions and a 34-day war fought between Israel and Hezbollah. The collective wisdom of the Lonely Planet’s online Thorn Tree Forum helped us put aside our misgivings though. As we checked into the Mayflower Hotel we drew further comfort from the knowledge that this hotel, a former hangout for seasoned journalists, had safely housed these hacks during the brutal civil war.
The Mayflower lies very near to the uber-fashionable Hamra Street (or in keeping with Beirut’s French-leaning sensibilities, Rue Hamra), the retail heart of Beirut. Fashionistas and fashion-victims patrol the street and emerge from gleaming SUVs. During daylight hours the street is thronging with shoppers and by night it transforms into an open-air catwalk. There are some gems amidst the endless clothes shops including the Lebanese branch of the ground-breaking Al-Saqi books, just off the main road. Bibliophiles can also find a cluster of bookshops near the American University of Beirut, originally a missionary outpost know as the Syrian Protestant College, locally referred to simply as AUB. Librairie du Liban, the publishing house responsible for the ubiquitous Arabic dictionary by Hans Wehr and the increasingly common place Lane’s Lexicon, is amongst them.
Soon we were drawing not only comfort but courage from the souls that had passed through the Mayflower and it wasn’t long before we found ourselves braving a freak rain shower to attend a photography exhibition in southern Beirut. We’d picked up an emotive flyer in a theatre foyer the previous day advertising the exhibition entitled Algerie: Photographies d’une guerre sans images (Algeria: Photographs of a war without images). The showing was taking place at the unassuming but outrageously named Hangar, on Haret Hreik. As we entered the southern districts of Beirut the areas’ political affiliations became increasingly apparent; forests of Amal and Hezbollah flags and insignia vied for prime position in our field of vision. The central reservation of the road we were driving along soon sprouted a column of street lamps, each hosting a picture of a fighter killed in the recent conflict with Israel.
The exhibition, hosting a decade’s worth of photography by Michael von Graffenried from the Algerian civil war, was a moving collection. The images captured the incredible human suffering, injustice and brutality of that conflict. The parallels with Lebanon’s own situation did not go undetected.
We emerged from the Hangar into yet another downpour and quickly made our way to the nearby Ramadhan Juice at the Ghobayri Crossroad to take shelter. A muscular bearded man with a neck wider than his head sat at the till and politely enquired what we’d like to drink, pointing to the framed menu behind him. Alongside the menu was a huge mural of Sayyed Hassan Nasrallah looking benevolently down upon the juice drinkers. Perhaps unsurprisingly, the first drink on the menu was a Katyusha rocket cocktail. After much deliberation though we opted for the less incendiary and far simpler mixed fruit cocktail and watched some al-Manar as we sipped our concoctions.
The dilemma that faces amateur Arabists when travelling through the Middle East is one of language. Modern standard and even classical Arabic are far more commonly taught in the West whereas the language on the street, ‘aamiyyeh or colloquial Arabic, is a far cry from the rigid grammatical structure of its more formal counterparts. Needless to say we reduced many Lebanese to tears of laughter as we requested assistance, directions and prices in the equivalent of Shakespearean English.
The language of food (and not only love) is thankfully universal. We enjoyed some excellent meals in Beirut, none surpassing the wares offered at the longstanding Kabab-ji which has outlets throughout Lebanon. The delicious kebabs and mezze being served up were even more palatable with some sumptuous muhammara, a walnut and roasted red pepper accompaniment. Nearer to our hotel, a Swiss patisserie that appeared to be untouched since the French mandate, provided us with some tasty treats. (To the genial old lady running the store, I extend my apologies for dripping coffee all over your shop floor).
A crucial stopover in Beirut has to be the corniche, where the Mediterranean Sea laps at the Lebanese shoreline. The people-spotter buried in each of us cannot fail to be unearthed by the panoply of characters promenading alongside the coast. We wandered past Pigeons’ Rock, an outcrop of rock jutting up from the mainland not dissimilar to some of the physical geography off the Dorset coast, and our collective consciousness was suddenly invaded with the dredges of GCSE geography that we carried with us.
The much lauded Downtown area proved to be a bit of an underwhelming experience. The area was the cultural heart of the city before being destroyed in the civil war. It has been painstakingly restored but the perfect, unblemished facades of the buildings make it feel a little surreal. Several security cordons were filtering access to the area resulting in a disproportionate number of well-to-do Beirutis dining al fresco while their rotund children were chased around with spoonfuls of food by their Philippino nannies. The fact that I was frisked by one of these security cordons did nothing to endear Downtown to us. However, there is something undeniably alluring about strolling around amidst the vestiges (some original, but mostly touched-up) of a huge spectrum of architectural periods and forms from Crusader to Ayyubid and from Mamluk to Ottoman.
We hailed a taxi outside Charles Helou bus station to take us back to Damascus without much difficulty. Our apparent stroke of good fortune was soon blacked out by the cigarette fumes from the living chimney that was our taxi driver. Through the clouds of ash we struggled to see him and breathing became a little tricky until we convinced him that on this occasion, open windows was a better choice than air conditioning. He soon got talking and was elated by me underestimating his age by a decade. He disclosed that he was a father of four allegedly demanding children and as a result not a great fan of Eid.
Our driver got us safely back to the Old City in Damascus and once again we felt like we’d stepped out of a time machine.
Postscript
A month after our visit, the country erupted in yet another bout of the cyclical violence that has plagued the tiny state. A poignant extract from Khalil Gibran’s ‘The Prophet’ follows the title page of Robert Fisk’s Pity the Nation and it remains just as resonant.
Pity the nation that is full of beliefs and empty of religion.
Pity the nation that wears a cloth it does not weave, eats a bread it does not harvest, and drinks a wine that flows not from its own winepress.
Pity the nation that acclaims the bully as hero, and that deems the glittering conqueror bountiful.
Pity the nation that despises a passion in its dream, yet submits in its awakening.
Pity the nation that raises not its voice save when it walks in a funeral, boasts not except among its ruins, and will rebel not save when its neck is laid between the sword and the block.
Pity the nation whose statesman is a fox, whose philosopher is a juggler, and whose art is the art of patching and mimicking.
Pity the nation that welcomes its new ruler with trumpetings and farewells him with hootings, only to welcome another with trumpetings once again.
Pity the nation whose sages are dumb with years and whose strong men are yet in the cradle.
Pity the nation divided into fragments, each fragment deeming itself a nation.
The towering Bank out-tops the cathedral roof;
What they call commerce is a game of dice
For one, profit, for millions swooping death.
There science, philosophy, scholarship, government,
Preach man's equality and drink men's blood.
New guest blogger Tauseef Mehrali is about to start a year's stint as a GP registrar in London, fully aware that his future will require the utmost in flexibility and lateral thinking: "Central London has the dubious distinction of being the epicentre of changes to primary care provision, and I'm already eyeing up a corner of my local Tesco Express to set up shop in. I wonder how many reward points patients will accrue on agreeing to see me as they wander past the frozen veg."
A Medjool (left) and a Khadrawi (right) date.
Gulp ye coffee while ye may, for Ramadan is but 2 weeks away.
As is the case every year, Ramadan arrives just as I'm trying to get back into some semblance of an exercise routine.
So much for that plan, at least for a month and a half or so. There's always the nocturnal walk, I suppose.
It might be well for all of us to remember that, while differing widely in the various little bits we know, in our infinite ignorance we are all equal. (Karl Popper)
Still, despite these shortcomings, the film bodes well as a harbinger of what's to come from non-Lollywood Pakistani cinema.
What a shame that America's spurned lover won't get to try his luck on America's Got Talent to win his old ally back. With no western country interested in making use of his abilities, his showbiz career will have to bloom in the deserts of Saudi Arabia, that retirement home for Muslim dictators. Give him his own daytime show. His audience there will appreciate his enlightened moderation more than Pakistanis ever did.
Bhagavati is the pre-eminent goddess in Kerala, the most powerful and beloved. In some incarnations, it was true, she could be ferocious: a figure of terror, a stalker of cremation grounds who slaughtered demons without hesitation or compassion. Some of her titles reflected this capacity: She Who Is Wrathful, She Who Has Flaming Tusks, She Who Causes Madness. But, in other moods, Bhagavati could be supremely benign and generous - the caring, loving, fecund mother - and this was how her followers usually liked to think of her. For many, she was the deity of the land itself: the spirit of the mountains, and the life force in the soil. In this form, Bhagavati is regarded as a chaste virgin and a caring mother, qualities she shares with her sister, whose enclosure lies a short distance down the road.
"Yes, yes, the Virgin Mary is Bhagavati's younger sister," explained Vasudeva, the head priest, matter of factly, as if stating the obvious.
"But, for sisters, don't they look rather different from each other?" I asked. A calendar image of the goddess, pinned up behind him, showed Bhagavati as a wizened hag wreathed in skulls and crowned with an umbrella of cobra hoods. In her hand she wielded a giant sickle.
"Sisters are often a little different from each other," he replied. "Mary is another form of the Devi. They have equal power." He paused: "At our annual festival the priests take the goddess around the village on top of an elephant to receive sacrifices from the people. She visits all the places, and one stop is the church. There she sees her sister."
One of today's Pendennis pieces caught my eye:
A bad Indian takeaway
London's waxwork tourist attraction Madame Tussauds might have declined to include the Prime Minister, but it's more sensitive when it comes to Gandhi. On a recent visit, the President of India's National Council for Civic Liberties noted that Gandhi was on the second floor 'near a dustbin' rather than in the world leaders' gallery on the floor below and complained of 'insulting treatment'. When I called, a Tussauds spokesman insisted that Gandhi is now back downstairs. 'There was maintenance work going on and it was a temporary move but Gandhi could have been more sensitively repositioned,' he says. Meanwhile, a surprise new addition to Tussauds is to be announced, with sources hinting it could be David Cameron.
I visited the Tate Britain a few years after my arrival in Hampstead. When I saw the dreadful landscapes painted by John Constable, it reminded me of the middle-class women in Hampstead who raved about these paintings. I could not accept Forster's description of Hampstead as 'a thoughtful little suburb of London'. It had been painful for me to live in this neighbourhood. Its landscape, like the paintings of Constable, was very gloomy. It was an area where people apologized often but showed little kindness to others.
This is a slightly fictionalized account of life in Persia (Iran) in the 19th century, capped off by a perilous pilgrimage to the Shiite holy city of Meshed (Mashhad), in the foothills of the mountains that run up to the Zoroastrian Olympus, Damavand. The book is a rare collaboration between a turn of the 20th century English and Persian author. The narrative method presages the classic Oscar Lewis ethnographies of poor Mexican families. In both cases, a straightforward account would have been dangerous because of the repressive nature of the society being studied. This is, on one level, an orientalist conceit of an Englishman writing the life story of a (semi-fictional) Persian from the point of view of a Persian. However, Sykes manages to pull off this literary feat convincingly, even for readers at this later date. He also uses the opportunity as a perfect Swiftian setup to gently satire European civilization, which adds an entire ironic layer to the read.Read more here.
This long-out-of-print (and quite rare) book is a delightful read, particularly for connoisseurs of travelogues. The Shiite, Sufi, Islamic, and Persian lore and legends which are described here will be of great interest to folklorists. The photographs and other illustrations will be of use to graphic designers, anthropologists and historians. This is obviously a primary source on the architecture of the Mashhad pilgrimage site. Largely unknown to outsiders, this complex has some very spectacular (and gorgeous) structures. Most of all, this book is an eye-opener for westerners interested in the deep culture and history of Iran.
Whenever two people meet, there are really six people present. There is each man as he sees himself, each man as the other person sees him, and each man as he really is.William James, The Principles of Psychology (1890)
SharifL - veiled beneath your rant lies something of interest: the Muslim perspective of the Other. As a Muslim (and admittedly unable, and unwilling, to represent all my co-religionists) I disagree with you imputing intolerance of other creeds to the Islamic world-view. Islam regards previous monotheistic religions as part of a progressive 'roll-out' of the Divine message by God, culminating in Islam.Amidst the responses, this caught my eye:
I do however feel that Muslims have fundamental difficulties in how to view post-Islamic monotheistic religions, especially those with Islamic undertones, such as the Ahmadi/Qadiyani movement and the Baha'i faith. These faiths challenge one of the pillars of Islamic theology: the finality of Muhammad in God's chain of messengers. As such, they engender huge suspicion.
The Baha'is seems to be victims of circumstance in that major political and social upheavals in Iran coincided with birth of their faith rendering them convenient scapegoats for the upheavals of the 19th century.
LeoAfricanus. considering the persecution of the Zoroastrians in Iran since the Islamic conquest of Iran, islam can be just as intolerant to pre-islamic religions of the Book. The murder of the Christian Iranian archbishop by the Islamic Republic reinforces the picture.
This vibrant tale of growing up in princely India is unlike almost any other memoir in that it is so totally without personal points of reference for the reader. You never get that flash of recognition: oh yes, as a child I used to ritually behead a goat just like that! Or: how like the elephant I had as a pram when I was little! When Narendra Singh, heir to the tiny princedom of Sarila in central India, was first asked his name by a schoolteacher, he did not know how to answer: no one had ever needed to ask who he was before.And finally, Asne Seierstad's The Angel of Grozny, an account of her clandestine return(s) to Chechnya to bring to our attention the plight of the Chechen people, in particular its forgotten orphans. The Digressive Mind and I managed to get to her recent reading at the ICA and were quite frankly completely underwhelmed by her lack of knowledge of the area and its people and her seemingly unashamed wish to capitalise on people's misfortunes. In fact, we were captivated by the person she was in conversation with - Tony Wood, deputy editor at New Left Review - and we ended up walking away with his book Chechnya: The Case for Independence!
Regardless of your views on religion, things'd be pretty boring without it.
* Interesting fact: 'The date of Easter varies. Easter Sunday falls on the first Sunday after the first full moon after March 20, the nominal date of the spring equinox.'
The star-studded cast including the uber-thesp, Ralph Fiennes, hillariously depict the hypocrisyand self-deceipt arising from the assumption of superiority felt to be inherrent in being adult and Western."What happens when two sets of parents meet up to deal with the unruly behaviour of their children? A calm and rational debate between grown-ups about the need to teach kids how to behave properly? Or a hysterical night of name-calling, tantrums and tears before bedtime?"
"The premise that brings the four characters together is simple. In a Paris playground, an 11-year-old boy has hit another boy in the face with a stick. Alain and Annette, the culprit’s parents, played by Ralph Fiennes and Tamsin Grieg, are visiting the apartment of Michel and VĂ©ronique, the victim’s parents, played by Stott and Janet McTeer, to work out a way in which an apology might be made. As attitudes to politics, work, money, conscience and, crucially, hamsters are revealed, vast crevasses of disagreement open up, not only between the two couples, but between husbands and wives."
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An eclectic offering of half-baked literary, social, political, religious, scientific and other pointless musings.